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CASTLE OF IMAGINATION ENDANGERED!!!


 

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One of the best known International Performance Art Festivals “Castle of Imagination” is in danger! Baltic Art Gallery and Zbigniew Warpechowski are up to stealing the Castle’s concept and name. ‘Art Interventions’ decided to react and make the ongoing discussion, that takes place mostly in Polish, available to all our Friends. We are looking forward to your feedback and will keep updating the page. Don’t let the Castle – the Festival of the best and most positive energy become a prey of the bad guys!

You probably know the story – Wladyslaw Kazmierczak was forced to resign from the director’s office in Slupsk by the ultraconservative politicians and the employees, who used to be much happier seeing marine paintings on walls instead of performance art happening around. He started his new life in the United Kingdom, but has not stopped to realize himself as an artist, an organizer and a curator. The 14th International Festival of the Performance Art “Castle of Imagination” in Schloss Bröllin (Germany) and OFFicyna in Szczecin (Poland) has just ended, what proves that life without Baltic Art Gallery and its employees not only is possible, but flourishing.

The Gallery has a new director now – a woman who used to work there before as a handicapped children instructor. She was chosen from among many other much better known and experienced curators, in a competition organized by the same people who forced Kazmierczak to quit. And everything would get back to normal – same marine paintings on walls as in good old times before Kazmierczak. But…

Ms Krol aparently being unable to figure out her own vision of a gallery, decided to do an unimaginable thing – to STEAL Castle of Imagination! Moreover, she decided to grant an honor of being the festival’s curator and director to a pioneer of Polish performance art, whose impertinence and megalomaniac books are legendary, Zbigniew Warpechowski. He duly agreed and even managed to invite six (sic!) artists.

In the statement found on the so-called 14th Castle of Imagination web site Warpechowski says: (…) “The lack of fixed rules, regulations or definitions that would narrow requirements of art caused the situation that “performance” became a way of a non-obligatory existence in art, or rather next to it. The ones to blame are the organizers of multiplying “festivals of performance art”, in which it is not the artistic level that counts, but the number of participants. My aim is to remind the most important artistic motivations, from which performance art has emerged as well as the artists, who made them come true for the first time.”

Zbigniew Warpechowski
From: http://www.baltic-gallery.art.pl/14zamek.html

The "14th edition of the Castle of Imagination" is going to take place in October this year. The invited artists are: Adina Bar-on, Julien Blaine, Phillipe Castellin, Natalia Lach-Lachowicz, Eugenio Miccini and Ewa Zarzycka. Please, accept our congratulations.

The situation does not require a further commentary. We think that the whole situation is a result of two phenomena: sick ambitions of both: the director and the curator as well as the fact, that Polish artistic community has been tolerating Mr Warpechowski all too long.

'Art in New York', September 11th 2006

For Polish readers: we are enclosing original texts that Art Interventions got hold of. >>> Texts in Polish
Also, check the current news regarding the issue at Lukasz Guzek’s Spam Magazine (Krakow)


*** September 12, 2006 ***

Edyta Król’s statement saying Baltic Art Gallery is the sole owner of the copyright to the Castle of Imagination Festival and everybody who uses its name does it illegally. >>> Text in Polish

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An open letter from Wladyslaw Kazmierczak, curator of the “Castle of Imagination” Festival to the local authorities in charge of the Gallery:

“Dear Friends, the thing unheard-of has just happened: the new director of the Gallery in Slupsk first overtook Rybie Oko Event and now wants to do the same with the performance art festival “Castle of Imagination” that I have been organizing for 14 years. The are some limits of decency, that’s why I am sending this open letter, hoping for some further discussion. But this is not the end: from 2nd – 5th September this year I organized and curated the next, 14th Castle of Imagination in Schloss Broellin and in Officyna in Szczecin. From the web site of the Gallery in Slupsk we learn that the 14th Castle of Imagination is going to take place in October 2006 and its curator will be …. Zbigniew Warpechowski. (…)”

The letter further explains the question of copyright to the Festival’s name. It belong to him and Grzegorz Borkowski who was the co-curator of the first three editions. All the organizers and sponsors that helped Castle of Imagination to come true for last 14 years are listed. The main body to organize the festival was the Society of the Friends of Contemporary Art in Slupsk as the Gallery did not have the financial resources or any formal possibility of acquiring them. The Gallery was also not in a position to waste public money for activities such as performance art. In the end, he states, that he will continue to organize the International Performance Art Festival “Castle of Imagination”. >>> Text in Polish

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Edyta Król responds to Wladyslaw Kazmierczak’s open letter:
I wrote my previous statement based on the agreement between The Society of the Friends of Contemporary Art and the Baltic Gallery of Contemporary Art signed on April 7th, 2006 which shifts the copyright from the Society to the Gallery. (…) Mr. Kazmierczak did not organize the Festival using his own money, but he was a curator of a Festival organized by the Society. (…) Regarding the concept of the festival, in the papers there’s only Grzegorz Borkowski’s name, who received his fee for organizing and curating the Castle. (…) I will not tolerate Mr. Kazmierczak’s ignoring the Copyright Bill. Accepting such a behavior is accepting lawlessness which is equal to anarchy. (…) I think Mr. Kazmierczak should use his energy to prove the world, that he can exist without the Baltic Gallery of Contemporary Art. (…).
Sincerely yours,
Edyta Krol, Director of the Baltic Gallery of Contemporary Art in Slupsk,
tel. +48 59 8425674, fax. +48 59 8411949

>>> Text in Polish

***

The reaction of a vice-president of the Society of the Friends of Contemporary Art in Slupsk (that for many years had been the formal Castle of Imagination’s main organizer), Tomasz Kosciuczuk who openly ridicules the new-old festival and the so-called “director” of the Baltic Art Gallery. He says he had never seen Ms Edyta Król having anything to do with the “Castle of Imagination” and doubts whether anyone sensible could have mistaken her for a director of a gallery and any other further events (that he calls “Zippers of Imagination” using a play on words: “zamek” means castle or zipper in Polish) that would take place in Slupsk for those organized by Kazmierczak. He advises her that in case of any job offer she should accept it without any hesitation. >>> Text in Polish

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The statement of the co-organizers of the 14th Castle of Imagination in Schloss Broellin (Germany) and OFFicyna in Szczecin (Poland).

Ladies and Gentlemen,
The International Performance Art Festival “Castle of Imagination” took place in September 2-3rd, 2006, in schloss broellin, and 4-5th, 2006, in the place of art OFFicyna, Szczecin. The festival was curated and organized by the curator of the festival’s previous editions, Wladyslaw Kazmierczak.

The Baltic Gallery of Contemporary Art in S?upsk informed us lately that it owns the copyright of the name and organization of the International Performance Art Festival “Castle of Imagination”. The International Performance Art Festival “Castle of Imagination”, organized by the Baltic Gallery of Contemporary Art, will take place in October 7-15th, 2006.

At the same time Wladys?aw Kazmierczak published an open letter with information about his copyright of the festival and its name mentioned above.

We hope that this situation shall not change the good relations within the artistic milieu in Poland and Germany.

Katharina Husemann
curator of schloss broellin

Bartosz Wójcik
curator of the place of art OFFicyna, Szczecin
>>> Text in Polish

***

The first performance artist to react was Dariusz Fodczuk, who wrote an open letter to Warpechowski with a perplexing question: WHY? Why does he (Warpechowski) – an artist of such an international fame need to support himself with the name of the guy that he has hated for most of his life? Why would he feed on the leftovers from Kazmierczak’s table?

Fodczuk’s main concern is not Warpechowski’s discomfort that he may feel being a curator of the SECOND 14th Festival, but his summary of Kazmierczak’s activity as a curator of the Festival (see above: Warpechowski’s statement). Fodczuk writes, that through all of his adult life he has admired Warpechowski’s art and from his books he has learned that values like: no-compromising attitude, frankness and truth are most important in art. That is why he asks for further explanation: why someone who had always criticized the Castle of Imagination, would decide to continue one of the “multiple” festivals, whose name will always be associated with Wladys?aw Kazmierczak. We are waiting for an answer.
>>> Text in Polish

***

Pawel Kwasniewski also wrote an open letter to Warpechowski, in which he simply stated that his behavior is immoral. >>> Text in Polish

***

Rafal Pawlowski, a curator from the Baltic Art Gallery replies to the „enemies of Baltic Art Gallery in Slupsk” that the Gallery had received a grant of „several dozens of thousands” of zlotys to organize Rybie Oko and 14th Castle of Imagination, so it simply had to spend the money for these Events.
>>> Text in Polish

***

Dariusz Fodczuk responds that he would like to thank Pawlowski for his efforts for the sake of the Gallery and to assure him of his deepest sympathy, but saying that the Gallery had had some money to spend, so it just had to spend it is like saying: I had a crowbar in my hand already, so I broke in. What else could I do?
>>> Text in Polish

***

BBB Johannes Deimling writes:
Dear Wladek and Ewa,

My polish is not good, but so good to understand that in Ustka will be in October the 14th castle of imagination curated by Warpechowski. WHATs THAT FOR BULLSHIT ??? I think that this Festival must be disturbed. I think they should not just do it. If you agree I will try to find some artists to go there and to make a bit Rock and Roll. It is a shame !!! If there is anything what I can do for you, please let me know...

all the best
Johannes
(back)

***

From Wizya Net (Paris): Julien Blaine's NO, NO, NO, I will not go under these circumstances!

>>> VIDEO             >>> Video at Wizya Net

***

Letters of support for Wladyslaw Kazmierczak received from: Slawek Sobczak (Galeria ON, Poznan), Krzysztof Stanislawski (art critic and independent curator), Aleksander Glondys (Polish Jazz Association, Krakow), Krzysztof Gliszczynski (artist painter, Academy of Fine Arts, Gdansk). Angelika Fojtuch, Johannes Deimling, Slawek Sobczak expressed further support for Dariusz Fodczuk's letter to Warpechowski. Arti Grabowski writes that he would never come to Warpechowski’s festival, as he would get a diarrhea there.
Performance artists: Jan Piekarczyk and Jan Rylke (Warszawa) suggest suing the Gallery and securing the copyrights officially.
Grzegorz Borkowski (the co-curator of the three first editions of the Castle of Imagination) promises to publish his commentary in his OBIEG magazine shortly.
Artur Tajber (Krakow) in a letter to the director of the Baltic Art Gallery asks for further explanation. He appeals to her to stop the international scandal for the sake of mere decency. Lukasz Guzek in his SPAM Art magazine states that Ms Krol uses the rhetoric of the ruling "Law and Justice" party >>> Texts in Polish

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*** September 13, 2006 ***

Performance artist Patrycja German translated Kazmierczak’s open letter into German

>>> German Text

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The Baltic Art Gallery employees and two members of the Society of the Friends of Contemporary Art write a letter to Tomasz Kosciuczuk accusing him of being on Kazmierczak’s side. Iwona Wyszynska, the President of the Society states that it has never paid Kazmierczak for being the Festival’s curator. Thus she admits, that the Society hijacked the copyright to something that it had never even paid for!
>>> Polish Text

***

A local paper – Glos Pomorza writes that the director of the Baltic Art Gallery is going to denounce Kazmierczak to the local attorney general for stealing documents associated with the Festival
>>> Polish Text

Dariusz Fodczuk keeps returning Rafal Pawlowski’s attacks. Gallery worker insists that according to the law, only the Gallery has the copyright to the Castle. Pawlowski also quotes Slawomir Sobczak from ON Gallery in Poznan, who dared to criticize the new director, saying that the way she acts shows that she has nothing interesting to offer to the artistic world at all.
>>> Polish Text

***

Further letters of support from artists: Anastazy Wisniewski (a veteran of performance art) and Teresa Bujnowska (artist). Krzysztof Przewozny (artist and former Gallery’s employee) says the Gallery does not have any moral nor legal rights to the Festival.

A short letter from the ex-Speaker of Polish parliament and the (real) Castle’s warm supporter Mr Jan Krol (no relation to the Gallery director). He says: The bureaucrats should stay away from the Castle! It is not what we were fighting for together!
>>> Polish Texts

Katharina Husemann, a curator from Schloss Broellin, a co-organizer of the last, 14th Castle of Imagination sends her letter of support.

***

The director of the Baltic Art Gallery says that we should wait with our jugdements about her achievements for at least two years, that the question Artur Tajber asked should not be addressed to her, but to Kazmierczak and that art is going to be the only value in the Gallery, so only artists for whom art is a value would be welcome. Also she states, that Zbigniew Warpechowski is the greatest performance artist in Poland and that she kept the Festival’s name to keep the grant that the Gallery had received to organize the Event. Our only comment is: you are not going to last that long!
>>> Polish Text

***

Arti Grabowski writes to the Gallery and Zbigniew Warpechowski: you are ridiculous!

You are not even able to find a name for your Event. I’ll help you: BARN OF (the lack of) IMAGINATION! Zbyszek, you act like an old fart! I’ve never shared your opinion that festivals should be smaller, so that the artists could get 2000 instead of 500 zlotys. For me it was a great value that I could confront myself with over 30artists from all around the world and decide myself what is and what is not art. The Castle has always been an energetic and magic place, mainly because of Wladek. I encourage all the other artists torefuse to accept any invitation to Warpechowski’s Event.
>>> Polish Text

***

Hi there,
I am sorry to hear this. Please tell me what can I do to help save one of the best festivals I have ever been a part of?
Maria Legault

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Peter Grzybowski sends his support while reading Warpechowski's book

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*** September 14, 2006 ***

Grzegorz Borkowski (Obieg Magazine) wrote:See our web concerning the matter,
Grzegorz Borkowski
http://www.obieg.pl/calendar2006/gb_zamek.php

***

 

 

 

BBB Johannes Deimling wrote (with a support of Angelika Fojtuch):

Thank you very much for your art intervention. Super and important work !!! Respect and congratulations. I like very much the background of this webpage - very good. I need a bit time to translate the texts in Polish, I also prepare a statement to this subject. Now it is time for a position...

Thanks for your work, greetings from Poland
Johannes


*** September 14-15, 2006 ***

Roi Vaara wrote:

Dear Wladislaw, dear Zbigniew and others involved
Wladyslaw Kazmierczak is among other things internationally very well known of his large, yearly festival called "Castle of Imagination". This festival has a long history and identity in contemporary performance art. Everybody in the field of contemporary live art connects Wladyslaw Kazmierczak with Castle of Imagination excactly the same way as everybody connects NIPAF (Nippon International Performance Festival) with Seiji Shimoda, Rencontre Internationale d'Art Performance de Quebec with Richard Martel, Performance Art in NRW with Boris Nieslony, or Asiatopia with Chumpon Apisuk just to name a few. Seen against this background, we must accept that the title "Castle of Imagination" has so much to do with Wladyslaw Kazmierczak, that it would be very strange, if somebody else would use the same title in any contemporary art festival or programme especially in live art. We must consider that the name "Castle of Imagination" is a kind of trade mark whose legitimate owner can be only Wladyslaw Kazmierczak.

Roi Vaara

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READ IN POLISH! :
SPAM Art Magazine (Krakow)

OBIEG Magazine (Warsaw)

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